kabisdak: limbay sa kagabhion

3.22.2010

limbay sa kagabhion

Pasagdi ko'ng mokatkat sa kaluha nga bungtod
Tungod kay niining gabhiona mangita kog tubod.

Pasagdi ko'ng magkaapkaap sa talagsaong lasang
Tungod kay akong pangitaon ang karaang liyang.*

Pasagdi ko nga motugkad sa tinagong atabay
Kay buot ko'ng sukdon ang lawom nga kalipay.

Pasagdi ko nga mosalom sa imong tungod
Kay buot ko'ng mabati ang imong pagbalud.

Ug ayaw kabalaka kay dili ko ikaw pasagdan
Sa akong makab-ot kitang duha ang mabulahan.

___________________________________

*liyang: langub nga adunay tubod

-- ANIJUN MUDAN-UDAN
Malaybalay, Bukidnon, Philippines

3 comments:

M said...: anijun,
unsa man kining limbay sa binisaya
o iningles?
puwede bang adunay footnote aron
matugkad namo ang kalawom ug katahom sa imong balak?

we can learn manobo or bagobo words
also?
salamat,
mananambalak; March 24, 2010 at 5:24 PM
m.u.o. said...: Hi, Nyor Mel:

Matod pa ni Anijun, kini mao'y pasabot sa--

1) "Limbay": poetic chant
2) "Saut": war dance; September 1, 2010 at 1:55 PM
m.u.o. said...: Hi, Nyor Mel:

Matod pa ni Anijun, kini mao'y pasabot sa--

1) "Limbay": poetic chant
2) "Saut": war dance; September 1, 2010 at 1:55 PM

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."