kabisdak: daman

6.18.2010

daman

Nibundak ang uwan pagkakadlawon.
Gipukaw ka sa gidanggas nga kabuntagon.

Gihubak ka sa sinugbang hangin gikan
sa buwad-pinikas sa imong silingan.

Galawig imong panan-aw sa lata sa biskwet--
sudlanan sa bugas, gahapon pa wa’y mapunit.

Nituktogaok na ang hiniktan, ug kalit la’g
buhagay ang alimyon sa tuba sa imong payag.

Nibangon ka gikan sa lantay, nibarag
takilid sa kahaw-ang nga di nimo mobuwag.

Nikuyanap ang kabugnaw sa imong galamhan
samtang gahapuhap ka sa imong tiyan.

-- CINDY VELASQUEZ
Cebu City, Philippines

3 comments:

M said...: cindy,

unta tuba ang atong giinom sa kukuk's nest
imbis red wine
padayon sa imong daman
pero puno ang tiyan

-mananambalak; June 18, 2010 at 4:36 PM
ginamantua-panes said...: nyor mel ug cindz,

puno gyud, natuk-an man gani ko ato mga pila gyud ka segundos kay niabot hangtod sa tutunlan ang pasayan ni cindy nga akong gisigmit. nadugay man gud ang red wine. hahaha. di ba cinds?hahaha
gina; June 19, 2010 at 1:57 AM
Teacher C. said...: @nyor mel: daghang salamat sa komento. dugay-dugay na pod ko nga wala kainom og tuba nyor. sige nyor, amping kanunay ug salamat kaayo sa donasyon ug lunch :)

@mam gina: lagi, nadugay gyod mam ang red wine, haha! nalipay ko mam nga nagkita ta, sige mam, sa sunod natong panagkita. ingats!; June 19, 2010 at 6:51 AM

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."