kabisdak: panamin, paminaw

12.29.2010

panamin, paminaw

Mao kini ang sinugdanan
sa tanang kaguliyang nga
nagmugna sa kabuang—

pungkol ang mga kamot sa orasan
ug bali ang iyang pagtuyok,
ug trese ang numero sa iyang

dagway. Ang kasikas
sa bungbong, ang nanuktok
sa pultahan, ang niserbato

nga awto gawas sa ganghaan—
Ayaw paminawa ang mga
tingog nga mihunghong kanimo

ang kahayag sa kabuntagon
dili makatugbang sa kangitngit
sa kagabhion sa imong

panghunahuna. Ikaw nasaag
sa imong kaugalingong
panimalay. Wala ba nimo

namatikdi ang nawong
sa samin nga imong gi-atubang?
Sa pagkatawa nimo kini

nabuak ug ang nangadugmok
nga bildo nag-imahe sa
sa usa ka libong ikaw—

ang radyo nagsibya nga
adunay anino nga naghulat
kanimo sa inyong nataran.

Busa, kandadohi ang tanan. Gub-a
ang lamisa ug lingkoranan ug
barikadahi ang bintana ug pultahan.

Daghana ang lansang, unya
dukdokag maayo sa martilyo.
Pag-ampo dayon sa imong ginoo.

Hapa! Dayon paminawa ang
kalibotan para madunggan
ang dagat sa aspalto nga dalan.

-- JULIAN B. LOPEZ III
Cebu City, Philippines

1 comment:

M said...: A myriad and potpourri
of illusions, hallucinations
and delusions.
Stronger ending: Hapa! Dayon
paminawa ang huhungihong
sa kalibotan aron madunggan
ang hinaganas sa dagat
liyubaw sa aspaltong dalan...
Nevertheless a spellbounding poem.
Bravo!

-mananambalak; January 1, 2011 at 12:53 AM

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."