kabisdak: John Dx Lapid

Showing posts with label John Dx Lapid. Show all posts

8.05.2017

pagtimbang-timbang sa mahinungdanon

Kaduha nasugamak, kaduha nadagma,

Ug sa ikatulo nibarog, nanglimbasog…

Apan karon nga naangkon ang kalamposan

Dakong pangutana unsa’y sunod?

Asa paingon? Unsa’y buhaton?

Sumala sa mga nag-una, lisod

Ang pagsugod ug ang pagsunod, angay

Sa gipanumpaan. Labi na karon nga

Ako usa na ka manlalaban.

-- JOHN DX LAPID Cebu City, Philippines

5.09.2011

maniniyot

Pahimuslan nako ang igong kahayag
Ug paabtikon ang mata ug kamot.
Lain-laing butang ang makita nako,
Nagkadaiyang tipik sa kinabuhi
Ang gihulagway--dunay malipayon,
Duna'y magul-anon, ug usahay
Lisod tugkaron. Makadasig
Ang akong nakita apan kini
Mao'y labing mahinungdanon:
Sa matag higayon sa pagkuha’g
Hulagway malipayon ko
Nga mopaambit sa mga istorya
Nga dili mahubit sa ordinaryong mata.

-- JOHN DX LAPID
Cebu City, Philippines

8.05.2009

pugong

Kon sobra na kahugot
ang imong pugong
pasayloa ko kay di ko
kamao magpalu-ag.

Nahadlok ko kon

kini matangtang.

Basin mawagtang ni
ug di na makit-an pa.

Kon mahimo lang

pasagdi ko...

Bisan dili ko nimo maka-uban

matag adlaw hinaot magpabilin
ang pugong sa imong buhok ug

dili ko pugngan pagpahugot niini.

Apan kon dili ka kaagwanta
sultii ko kay akong paluagan
ug pasagdan nga

kini matangtang.

-- JOHN DX LAPID
Cebu City, Philippines

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."