kabisdak: Harold L. Mercurio

Showing posts with label Harold L. Mercurio. Show all posts

11.24.2022

aanhon pa?

(Nobyemre 8, 2022— siyam ka tuig tikang san kataragman)

Siyam ka tuig tikang san pag-agi

Ni Mana Yoling.

An hinumduman

Napirit paghuring.

Kaagi diri karuyag mabiling

Kay daw kapait kan Nanay siring.

Nagnunong na ada

An kada usa?

Nagmata na ba

An mga buta?

Andam na ba

kun may sumunod pa?

Por Diyos por Santo

Tama na!

Di mapupugngan

An pag-abid san luha.

Kay halarom an sunit

Gin-antos di mapapara.

San mga nag-una naglalaum na gud la

Dayuday pagpahuway mga hinigugma.

-- HAROLD L. MERCURIO

Calbayog City, Samar, Philippines

11.26.2020

tukwaw

San gutiay pa ak’

diri ak’ nahingangaturog

pagpininsar san akon minangnuan

nga ugang ug siwo

sa amon luyo

labi kun nasiburog na

an tukwaw

dida san paghuyop

san habagat.

Yana nga amay na ak’

mas labi nga di ak’ nahingangaturog

san akon ugang ug siwo

kay waray pa humuyop an habagat

nagtikang na an tukwaw.

An ugang madali bilngon,

pero an siwo maiha padakuon.

Nano na man la an kalipayan

san nagmamanukan kun an imo

minangnuan mahahanaw

sa usa la nga pagpirok san tukwaw?

San ginsusurat ko ini nga siday

lumahos na usa ka milyon

an gintukwaw san Covid

sa bug-os nga kalibotan.

Lahos na liwat singkwenta kayukot

an mga napukan.

Diri ak maaram

kun may katalwasan.

An tukwaw la an naglalarang

kun an ugang, siwo o bisan an higot

iya igtutubyan.

-- HAROLD L. MERCURIO

Calbayog City, Samar, Philippines

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."