kabisdak: Janis Claire Salvacion

Showing posts with label Janis Claire Salvacion. Show all posts

12.16.2014

pasko han tuig dos mil trese, waray bata nga nangangaroling ha villa de san juanico, barangay bagacay, tacloban

Ginlam-ud han balud. Diri ngani,

nahanaw ha kawarayan an kabataan.

An ira gudti nga mga tudlo

nangapyot ha riles han alad o alkuba

o sapayan han balay, nangapyot antis

hibul-iwan han mga kamot, nangapyot

antis gindagit han dulok.

An nahisalin nga kabataan, diri

nagawas hit gab-i, nahadlok

kun ano nga bugawak an dara han kasisidman.

Siyahan nga Pasko kahuman han kalunod,

waray bisan usa nga bata

nga nangangaroling ha dalan.

An nababatian ha kagab-ihon

an rusmak ha baybayon

han nagtitikahirani nga dagat.

-- JANIS CLAIRE SALVACION

Tacloban City, Leyte, Philippines

12.04.2014

pagnguyngoy

Diin nga pungtod magtuturok hin kandila?
Diin maghahalad hin bukad? Hin pangadi?
Diin nga tuna an hahadkan han akon luha?
Diin nga salog gin-anod an kasingkasing han akon Nanay?
Diin nga bubon ginlumos an iya tingog?
Diin nga tibod ginlubong an iya kalag?

Kutob san-o an imo paghingalimot ha akon, O Ginoo?
Ha Kadayonan?

Uulikabon ko an kada bato ha Leyte ug Samar.

-- JANIS CLAIRE SALVACION

Tacloban City, Leyte, Philippines

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."