kabisdak: Marcelo T. Daño Jr.

Showing posts with label Marcelo T. Daño Jr.. Show all posts

8.18.2021

unsaon paghigugma

Tutoki ang tunukon nga punoan sa rosas, ug gaksa

Lakip kanang wanang ug kabituonan sa iyang mata.

Tunla ang makahilong kahaw-ang sa pag-inusara.

-- MARCELO T. DAÑO, JR.

Lapu-Lapu City, Cebu, Philippines

7.21.2021

sumbalik-silaw

Estranghero ang balod sa dagat, mihalok sa baybay.

Usa ka sirkulasyon ang pagkahimugso ug kamatayon.

Mag-uwan og bulawang panamilit sa pantyon

Apan basaha ang imong kaugalingon sa samin. Lubaa

Ang imong anino nga nakiglambigit sa manulunda.

Pangutan-a ang kangitngit kon aduna ba siya’y kalibotan,

Unya balik sa imong kaugalingon sa dili pa mokaylap

Ang kasadpan. Itugway ang lahi nga pagka-ikaw sa

Wanang sa kahibulongan. Pasagdi unya ang orasan

Hangtod saksi ka nga duha diay kabuok ang bulan:

Gilawig sa mga damgo tugbang sa paghangad ang usa,

Ug mipilit ang ikaduha diha sa imong kahigmata.

-- MARCELO T. DAÑO, JR.

Lapu-Lapu City, Cebu, Philippines

3.30.2021

libod-suroy

Pila pa ba ka taytayan ang angay tadlason?

Pila pa ba ka lawod ang angay langoyon?

Pila pa ba ka isla ang angay adtoon?

Dili baya nako maihap ang tikang sa kamingaw.

Dili pod mohunong ang orasan sa kasubo apan,

Ga, tugoti ko nga makigtugbang sa tabanog

Aron sa akong paggukod sa atong kagahapon

Sa imohang kamot ra gihapon ko paingon.

-- MARCELO T. DAÑO, JR.

Lapu-Lapu City, Cebu, Philippines

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."