kabisdak: Kring Kring Rodriguez

Showing posts with label Kring Kring Rodriguez. Show all posts

10.23.2020

dalit alang sa akong dinapit

Ug nangdani ko’g laag sa akong higala.

Kon asa man niya buot molabigar,

Nitubag siya: "Mokuyog ko og asa ka."

Ali, ari ta sa higdaanan,

Moligid ug mopiyong. Isipon tang kita

Giduyan, gitabyog paingon sa imong

Gidamgong dapit. Magdungan ta

Pagpatid aron molabyog

Ang atong lupad. Ug kon

Damanon man gani ka, lagpakon ko

Ikaw. Mosulirap dayon imong mata

Inig ingnon nako, "Naabot na ta."

-- KRING KRING RODRIGUEZ

Danao City, Cebu, Philippines

6.21.2019

reincarnation

Humoli ko sama sa mga labhonon

nga daghan og mantsa.

Kuso-kuso-i ko aron hinay-hinay

nga maukang ang mga buling sa kaagi.

Pug-i ko aron mawala ang mga buwa,

Dayon waswasi aron mabati nako

ang kahinlo. Sa kataposan,

ihayhay ko ug ibulad aron

kon maabot ang salumsom

masul-ob ko nimo pag-usab.

-- KRING KRING RODRIGUEZ

Danao City, Cebu, Philippines

3.25.2019

kadali ra sa pagpanaw

ug kadali ra sa pagmata sa adlaw

ug kadali ra sa pagpuwaw sa buwan

ug kadali ra sa pagtaob sa dagat

ug kadali ra sa paghunas pag-usab

ug kadali ra sa pagsalingsing sa dahon

ug kadali ra sa pagkaopaw sa kahoy

-- KRING KRING RODRIGUEZ

Danao City, Cebu, Philippines

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."