kabisdak: ang gahom sa tulo ka gamay’ng bato

1.03.2012

ang gahom sa tulo ka gamay’ng bato

Bisag way mosulti, kita nahibalo
kon unsa man ang mipundok kanato
ning gabhiona. Ang igsoon uban
sa iyang bana nga mi-drive gikan
sa Medellin, ang laing igsoon nga
misakay og Ceres gikan sa Santander,
ang mga ig-agaw nga miabot
sa ilang mga sakyanan gikan sa Lahug.
Ug kami-- ako ug ang asawa ko
nga taga Lorain, Ohio-- nga mipauli
gikan sa among pinuy-anan sa Wisconsin.
Sa langit ibabaw sa dakong balay
sa Dalaguete, daw dug-ol ang mga bituon.
Ang mga babaye nanginom
og San Mig light, ang mga lalake
nag-alirong sa lamisa uban
sa regular nga San Miguel
ug galon sa Carlo Rossi. Ang panagsulti
nanagyagaw. Apan kita nahibalo
nga kita usa ka pamilya, dihang
dunay misulti nga aron kuno
di ka dagaton kon ikaw mopanaw,
pagluklok og tulo ka gamay’ng bato.
Ug ang tanan nahilom ug naminaw.

-- URIAS A. ALMAGRO
New Berlin, Wisconsin, USA

1 comment:

M said...: good luck stones
puwede bang
hulaman?
warmth & mystic of family reunion

-companero mananambalak; January 6, 2012 at 10:50 AM

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."