kabisdak: akong kuan nakakuan sa imong kuan

2.27.2010

akong kuan nakakuan sa imong kuan

hesussantamariyosep!
wa ko damhang
mapalgan ko ang langit
dinhi sa yuta

bag-ohay pang
mitulibangbang ang kampana
ah orasyon na

ang akong agtang nakadaitol
sa imong kamot

padre

-- MELQUIADITO M. ALLEGO
Palm Harbor, Florida, USA

5 comments:

M said...: pablo from argentina,

thanks for the invitation.
is yours similar to kabisdak?
may i know the real pablo from
argentina?

-mel m. allego; March 2, 2010 at 11:14 PM
tipsters said...: nyor mel,

i like the persona in this poem.

omar khalid; March 7, 2010 at 7:46 PM
M said...: richel,

abi kahag
pari tulin pa sa kilat
makapakurat
panapos sa kamelyong balak

-mananambalak; March 7, 2010 at 11:28 PM
Balitaw said...: kani nga balak nakapahinumdom nako kung unsa ka sipat ang ubang pari :).Usa ko sa mga 20 ka maninay ug maninoy sa bunyag. Ingon sa pari nga pinoy, "ipatong ang inyong kamot sa puya apan lagi sa kadaghan, kung wa nay lugar ipatong na lang kang kumare".; March 12, 2010 at 1:19 AM
M said...: candice,
sakto and nasinati mo.
dalaygon ang pagsubay
mo sa mga tunob sa mga balak
sa kabisdak.
padayon sa matahom
mong pagdalikyat.

-mananambalak; March 13, 2010 at 10:52 AM

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."