kabisdak: ang madyikero

10.15.2010

ang madyikero

Abrakadabra, orasyon de kampanilya
eskularom eskularam, pikot miyot
Pikot miyat, tikungkong tikangkang
Burikingking bukikangkang
Ang itlogrom himoon nakong pisorom
Pak...!

Inighapak niya sa sibot ibabaw sa agtang sa
Tiyanggihan, ang hangin makat-on og lumlom
Og itlog binugok. Kadtong mga bugalbugalong
Palahubog sa tigbakayan, himoon kuno niyang
Baki ug di gyod paulian bahala nag adto sila
Magsuka og talitiong garapon tumoy sa espada
Nga gipraktisan niyag panotpik; itusok niya sa
Iyang tutunlan lapos ngadto sa kalimutaw sa
Mga matang ganghaan sa kahikugang
Pastilan! Ang iyang kaabtik nakapahinumdom nako
Sa hawod nga esnatser sa Colon
Kusog sad morakatak ang iyang laway nga morag
Si Nang Lusing kaniadto dihang nagyawyawg
Mga orasyon dihang nasayod
Nga si Nong Butsoy nakigduwag
Madyik sa tsikitsaan, dili sa baraha nga
Itago niya sa iyang sampot kondili sa madyikero
Niyang mga mata nga sigeng paniplat
Sa mga dughang manggihatagon.

Abrakadabra, orasyon de kampanilya
eskularom eskularam, pikot miyot
Pikot miyat, tikungkong tikangkang
Burikingking bukikangkang
Ang itlogrom himoon nakong pisorom
Pak...!

-- OMAR KHALID
Medellin, Cebu, Philippines

1 comment:

M said...: balakatawa
kinahanglan kita
sama ning balaka

omar khalid
versatile poet

itlog mo noyom
sinawom kaayom

-mananambalakom; October 26, 2010 at 7:38 AM

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."