kabisdak: metamorposis

5.19.2010

metamorposis

ang mga diyosang kandila nga gipang-ugbok
sa balisbisan sa pantiyon nga kagabhion
tagsa-tagsang nangapalong...

ang kaganinang naghagok ug nagbuy-od
nga blunda sa kadulom nahimong palispis
sa ugis nga kahayag nga nanghuyatid sa suwambi...

ang maninintal nga kidhat sa mga bitoon
dili na makawhat sa madibuhoong mga mata
kay ang kaambong gipamala na sa pisara sa langit...

sa balkonahe nangatagak ang mga pako
sa mga siawan ug latagawang bulalakaw
ug gipamunit ang mga tipaka sa ilang kasugiran...

sa asoteya nangiswid ug nanghuy-ab
ang mga parayegong gihay sa mga senyoritang bulak
nga nangaligo sa yamog sa nangalimyong kadingding...

tala na bathalan-ong kalagpares manglimugmog
himamaton tang luming saloma sa adonis diwa
nga nanighawak sa taluktok sa gabonong mga bungtod...

mapahiyomong nagsidlak og mga sedang bulawan
ning matahom hardin sa samuyawng kinaiyahan
ning mahumot paraiso sa nanglunong bulakbalak kausaban...

-- MELQUIADITO M. ALLEGO
Palm Harbor, Florida, USA

1 comment:

M said...: pasumbingay ngadto kanilang ricardo
baladjay, junne canizares, richel dorotan, urias almagro, ernesto lariosa, michael obenieta, vicente
bandillo ug sa BEBODOFILAMIMUVE Poetry Ensemble otherwise known as Tarantella Hip-Hops.; May 31, 2010 at 12:35 PM

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."