kabisdak: awit dihang wa’y timik ang mga gangis

6.16.2010

awit dihang wa’y timik ang mga gangis

Mokagiw palayo ang hangin
Gani mohunong ang mga balod
pagtuya-tuya. Unya takulahaw
Ang mga kinana-as mahanaw.

Didto sa kawanangan
Maglutaw ang tubig-ulan
Modumili sa paghagwa
Sa yuta. Bisan ang adlaw
Dili gyod mopatim-aw.

Ingon niani ang tanan, pinangga.
Sa higayon nga motakilid ko,
wala ka nga akong hinol-hinolon.

-- GINA MANTUA-PANES
Cebu City, Philippines

6 comments:

M said...: haylohon ko siyang mobalik
aron imong hinolhinolon
sa imong pagtakilid
pagtikulob
paghayang
tanan molihok
motapya
tap

-mananambalak; June 16, 2010 at 4:26 PM
ginamantua-panes said...: nyor mel,
hahaha. salamat sa comment. salamat sa pag-ari sa Cebu. salamat sa libreng paniudto ug red wine.

ayo-ayo,
gina; June 17, 2010 at 1:10 AM
M said...: gina,

way sapayan.
kay nasud-ong tikag personal gayod
di na ko mohanduraw kanimo
dinhi ning akong langit

nyormel; June 17, 2010 at 2:14 AM
M said...: gina.

di na kinahanglang mohanduraw pa
gikulit na ning panumdoman
nagtagay og red wine atbang kanako
tinugtan ni lolo menes

-mananambalak; June 18, 2010 at 4:46 PM
ginamantua-panes said...: nyor mel,

sa gihapon salamat sa imong pagtugot. itugway ko pa gihapon ayawat makaabot sa inyong tunaan.

gina; June 19, 2010 at 2:03 AM
M said...: ang tunaan
lagkit
namilitpilit
agulo awit
lapok
mohamok
kakatol kagilok

-mananambalak; June 22, 2010 at 2:48 PM

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."