kabisdak: kadtong tiguwang nga gapas-an og basura

7.15.2011

kadtong tiguwang nga gapas-an og basura

Gikan sa iyang pagpusdak
Sa kartong dayag nga bug-at
Kon itandi sa iyang bayhon
Nga labaw pa’y naglukdo og
Pinuthaw nga katuigan—
Kalkag ang tag-as nga buhok,
Kunot na ang kubalong panit,
Lugak na’g ruska ang hawak;
Midungan pod pagdakdak
Ang hangak, panghupaw
Nga gilumsan sa timbangonon pa
Nga kwarta nga basa-basa pa
Sa akong panan-aw
Samtang sa iyang pagtuk-ong
Diha daplin sa karsada
Mitulo ang taas, lanot
Niyang laway nga mao ra’g sabaw
Sa utan nga sinagolan og daghang
Okra nga didto molanding sa liaban
Sa iyang sanina nga naay
Pakaping ice pick nga miligtiw ug
Mitaop sa akong dughan nga
Ako lang gihampola’g bagang aso
Sa akong sigarilyo.

Nanganawkanaw sa hangin
Ang tukogon niyang tuong palad
Paingon nako samtang ang usa
Midailos sa walang bulsa.
Kaingon kog aduna siyay ihatag
Nga super power o unsa ba.
Ug limbongan ang iyang
Pahiyom nga nagbitbit na
Sa gum-os nga Marlboro, unya
Namulong: Bro, padungkaa ko bi.

-- DONZKIE B. ATON
San Remigio, Cebu, Philippines

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hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."