kabisdak: padigo-padunot*

9.20.2011

padigo-padunot*

Maghilak kong mopauli kaniadto, mohangyo sa akong Lolo nga buhatan na sab ko'g kasing kay ang bag-o niyang ginama tua, nagbuy-od sama'g patay nga sundawo gikan gikunis-kunis sa labawng' dako nga kasing ni Naldo. Moagik-ik siya'g katawa, dayo'g bulhot sa aso gikan sa iyang hunsoy. Tulo ka adlaw niyang buhaton, ug tulo pod ka adlaw ang kalaay sa pag-apong ug pagpaabot. Kutihan kaayo siya. Dili katingad-an nganong ako ang dunay kinanindotang kasing sa amoa, ug nganong ako pod ang kanunay sigurohon ni Naldo. Upat lang ka adlaw ang lahutay sa akong matag kasing. Dili ko kahinumdon kon pila ka kasing ang nahimo ni Lolo. Apan ning bag-o lang, mibalik nako ang iyang gipamulong matag higayon nga ihatag na niya nako ang bag-ong ginamang kasing... apan wala ko makasabot. Kalapad sa wanang sa paghinumdom ug pagpaabot. Padayon kong magduwa og padigo-padunot.*

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* padigo-padunot: duwa ginamit ang mga kasing diin ang tumong mao ang pagpulpog sa kaatbang pinaagi sa pagtumba o pagkanil niini hangtod mabuak gamit ang hait nga lansang sa imohang kasing.

-- IOANNES P. ARONG

Lapu-Lapu City, Cebu, Philippines

4 comments:

kumar said...: It is very good to see . It contains more information what i need .It contains famous words . Hats off to your site and post . . I like this site very much . . So thank you very much.

Regards

Love quotes; September 21, 2011 at 12:29 PM
rsb said...: sa amo ang kasing, kote.

mao na ingon sa insik: guma ko imo day, dili kana guma ligid, guma kana kasing. Dili kana kasing tuyok, kasing kana dughan.; September 21, 2011 at 5:09 PM
M said...: may we know what are the famous
words?
you must have lived in the
Philippines for a long time.

-mananambalak; September 28, 2011 at 10:24 AM
shai said...: ang kada bata nga lalake sa una niagi jud aning kasing, apan karon naghinayhinay na ug kawagtang. tana makita nila ang kalingaw nga maihatag sa mga tradisyunal nga dula.; January 13, 2012 at 6:38 AM

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."