kabisdak: haw haw de karabaw de corazon: duha ka sugilanon subay sa usa ka linya sa kanta nga kinutlo sa salida nga "crazy heart"

5.21.2013

haw haw de karabaw de corazon: duha ka sugilanon subay sa usa ka linya sa kanta nga kinutlo sa salida nga "crazy heart"

I could write a book about what I don't know...

Diha'y magtutudlo nga maayo kaayong moyawit kabahin sa gugma. Gabudlot iyang ngabil, mao ra'g giumol takdo sa kigol sa pilosopo nga nipilit sa iyang gilingkoran. Nagnganga sa kauhaw ang mga kuto ni Ma'am, gakalkag ang buhok, samtang gabag-id sa mga kalabera nga sanga ang saag nga hangin sa ting-init. Asa na kaha iyang mga tinun-an nga maayo kaayong mamayabas kaniadto? Hagbay ra nasunog ang tunghaan ubos sa naopaw nga kabungtoran.

Diha'y inahan nga naliki ang antyohos sa pagbinasa kon unsa'y labing igmat nga lakang aron dili masakpan iyang laraw nga hiloan iyang bana. Nahinanok ilang amang nga anak. Ambot kon unsa'y iyang gidamgo. Gakanta ang mga lamok. Diha'y gakagot nga kahiamgo. Ug diha'y dughan nga labihan kabugok. Dili kasabot. Nga dili masukod ang kagamay sa kalipay. Nga wala'y makatudlo sa nagkadaiyang matang ug maayong pamaagi sa pagkabuang.

-- MICHAEL U. OBENIETA

Topeka, Kansas, USA

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hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."