kabisdak: dihang gibarang ni nang melda si nong digong

11.11.2018

dihang gibarang ni nang melda si nong digong

Suwayan kuno nato pagsuyop ang lumay

nga alimyon sa kanhing Rosa sa Tacloban. Paghilom diha,

paghinay! Kuyaw unya’g katilaw ka’g sunggo inig

lukapa. Paaka imong pahiyom kon dili nimo

matulon ang iyang giyamyam

kabahin sa kahayag:

Ang maayo, ang matuod, ug ang maanyag.

Malawos bisan ang adlaw, angay

ilakip sa mga gidaoban. Wala’y pasayloon

ang kagabhion. Dayag kini diha sa iyang mga kunot lahos

sa pinintalan niyang ngabil nga labaw sa dugo

ang kasinaw. Pwera gaba, bagulbol pa niya

mahitungod sa salamangkiro

nga salikwaot sa iyang panan-aw

lahos sa palasyo diin kanhi ang iyang

pinanggang Ferdie dili buot mawani

ang lubot, tapot sa trono, hangtod gitunglo

silang duha, gihinginlan. Pastilan, maabo pod baya

ang kalunhaw. Ug bisa’g gakuyanap ang gabon,

kalambigit sa alimungaw—

tugnaw nga aso, panit sa anino—

ni kanhing Rosa sa Tacloban, tultolon niya

ang kahingpitan sa iyang gihanduraw. Galanog-

lanog ang nalubong nga hunghong sa mga gamot

ug mga bukog. Gahom sa pagtiniil ang iyang

paglayat sa gaalisngaw nga kawa

alang sa pakigtigi

sa kadaot, kabakakon, ug kalaksot sa yawa.

-- MICHAEL U. OBENIETA

Topeka, Kansas, USA

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hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."