kabisdak: ang panyo ni veronica

10.11.2009

ang panyo ni veronica

Ganahan unta ko mangutana
sa kahimtang sa imong panyo.
Nabantayan man gyod nako'ng
hanas ka sa pagpanarapo.
Dali kaayo ka madani
sa mga lalaki'ng nag-antos,
unya hinay-hinayon nimo'g trapo
ang ilang kasubo hangtod kini
mahanaw sa hingpit ug motapot,
mopilit sa imong panyo.
Ganahan unta ko mangutana
kay bisan ba, Veronica, sa imong
kanunay panglimpyo sa ilang
ga kasakit, basin nakalimot na ka
nga kana diay imohang' panyo
angay pod bayang' labhan, paughan.

-- JONA B. BERING
Tuburan, Cebu, Philippines

5 comments:

rsb said...: hello jona,

dili lang promising
kon dili
brandishing na jud
imong mga mugna...

pwedeng i contemporary nato
ning panyo ni
veronica?

haw abawot.... labakara?
o tualya?

o bandana na lang kaha?; October 12, 2009 at 7:41 PM
Jona Branzuela Bering said...: draft pa man ni judge, kay ako man sang tan-awon ang gipangsuggest ni sir myke. bitaw no? ang panyo, lady-like ra kaayo. salamat sa suggestion, judge :D; October 14, 2009 at 8:36 AM
rsb said...: bitaw jona

keep on writing... kulang kaayo tag mga babaye nga sama nimog talent...

maayo untag managhan ka na..
(literally ha ha ); October 15, 2009 at 3:51 PM
ester said...: Ok ra nako ang panyo, ug ok ra pod nga may pagka lady like, kay gawas nga babaye si Veronica, kay maayo man sad nga dunay signal nga babaye ang nagsuwat sa balak.; October 20, 2009 at 5:36 AM
Jona Branzuela Bering said...: salamat, ma'am ester. :D; October 24, 2009 at 9:11 AM

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."