kabisdak: kataposang tugtog sa orkestra

9.07.2010

kataposang tugtog sa orkestra

Pingkion ta ang atong kopita
Nagsugod nang kataposang tugtog
Manindog ug mosadsad na kita

Kahumot mo ako paambita
Tagbawon natong panagsaulog
Pingkion ta ang atong kopita

Halandumong huni pod awita
Magpaanod sa kanhiayng bul-og
Manindog ug mosadsad na kita

Mga pungpong sa bulak bitbita
Sa sayawan ning dughan ihulog
Pingkion ta ang atong kopita

King gaduaw sud-onga sangpita
Ipangandoyng imong ikadulog
Manindog ug mosadsad na kita

Hapit manamilit king bisita
Misenyas nang orkestrang matulog
Pingkion ta ang atong kopita
Manindog ug mosadsad na kita

-- MELQUIADITO M. ALLEGO
Palm Harbor, Florida, USA

2 comments:

M said...: anestolohinaot pa untang mga batan-on mosulat og villanelle with post-modernism flavor
aron di mahitaligam-an
ang tradisyon

-mananambalak; September 15, 2010 at 7:51 AM
M said...: Mga batan-ong balakero/balakera,

VILLANELLE RIMA PERFECTA.

Magmalamposon unta ang atong BATHALAD
CLASSICO. Karon ug unya, pagtagik og
inihap mga balak sa tradisyon nilang
Vicente Ranudo, Vicente Padriga, Saturio Villarino, Dios Garces Alesna,
ubp. Look back to the traditional form of poetry and add your post-modernism flavor & fervor.
Nice job, Gen and other Bathalad officers.

-mananambalak; September 21, 2010 at 6:21 AM

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."