kabisdak: duha ka hubad sa mga balak ni Bill Knott

2.06.2011

duha ka hubad sa mga balak ni Bill Knott

panamilit

Kon buhi ka pa unya pagbasa mo niini,
Piyongang imong mga mata. Ako anaa
Ilalom sa mga pilok nag-anam kaitom.

kamatayon

Gibabag kong mga kamot tadlas ning dughan
padulong sa katulogon.
Ilang ipahimutang akong duhang mga kamot
susama niini.
Morag makita akong galupad paingon
sa akong kaugalingon.

Gihubad ni:
-- MELQUIADITO M. ALLEGO
Palm Harbor, Florida, USA

4 comments:

Litoux Camus said...: a.k.a. st. giraud. ang una nga balak maoy ako paborito. ang imahe sigeg balikbalik sa akong hunahuna apan sige kog kalimot kinsang santosa ang nagsulat. bill knott diay tinuod pangalan ining kagwanga ni. ok kaayo nyor mel! ug p.s.: salamat diay sa libro! :); February 7, 2011 at 12:04 AM
M said...: Way sapayan, Erik. Inig-abot ko sa Amerika ipadala ko
kanimo, Kevin ug Cheeno ang librobalak ni James Tate.

NyorMel; February 7, 2011 at 6:48 AM
rsb said...: If you are still alive when you read this,
close your eyes. I am
under their lids, growing black.; February 7, 2011 at 7:35 AM
rsb said...: Going to sleep, I cross my hands on my chest.
They will place my hands like this.
It will look as though I am flying into myself.; February 7, 2011 at 7:36 AM

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."