kabisdak: sapa sa panalangin

3.16.2021

sapa sa panalangin

kausa o kaduha ka man

motaak sa tubig dinhi

sa sulog nga dapit man

o sa linaw nga likoanan

sa ting-init man o sa tingtugnaw

mao lang gihapon kini

ang sapa sa imong pangandoy

kausa o kaduha o kausa

ka gatos mo man kini damgohon

sa katulog o sa kahigmata

o sa alimungaw

magpabilin kini nga mao

ang likoong dalan

sa imong pangindahay

kausa o kaduha o kausa

ka gatos o kausa

ka libo mo man kini hubiton

isip pasiuna sa pangamuyo

o sa pagpakaaron-ingnon

hangtod sa hangtod ikaw

ang tag-iya niini ikaw

ang adunay katungod

sa pahimulos o pasipala

taman sa katagbaw

niining subhanan

sa imong lawas ug kalag

diin moabot ang panahon

nga dad-on mo siya dinhi

siya nga imong gibawi

gikan sa bangaw

aron sa makausa pa

bunyagan mo siya

kausa ka gatos o kausa

ka libo o kausa ka gatos

ka libo ka higayon

ubos sa sakdap sa antulihaw

bunyagan mo siya

sa imong kahigwaos

bunyagan mo siya

sa yapayapa sa alibangbang

sa imong kahidlaw

-- VICENTE VIVENCIO BANDILLO
Metro Manila, Philippines

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hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."