kabisdak: hinay tungod gabantay

9.12.2018

hinay tungod gabantay

Sayaw sa tag gamay

Sayaw sa tag hinay

Hinay nga pagsikad

Hinay nga pagtuyok

Pagtuyok sa adlaw

Pagtuyok sa buwan

Buwan nga miagi

Buwan nga lingin

Lingin pa sa ulo

Lingin pa sa pangilad

Pangilad nga nagdagan-dagan

Pangilad nga bulahan

Bulahan sa pangandoy

Bulahan sa kaluoy

Kaluoy nga miipit

Kaluoy nga misangpit

Misangpit sa kamingaw

Misangpit sa kalingaw

Kalingaw nga gidalit

Kalingaw nga gisinggit

Gisinggit sa bukid

Gisinggit sa langit

Langit nga layo

Langit sa kilid-kilid

Kilid-kilid diha makit-an

Kilid-kilid nga angay mawad-an

Mawad-an og pwersa

Mawad-an og gana

Gana nga gisugdan

Gana nga kusgan

Kusgan sa basakan

Kusgan sa baylehanan

Baylehanan sa baryo

Baylehanan ni tiyo

Tiyo nga mitago

Tiyo nga hubog

Hubog sa tuba

Hubog sa gugma

Gugma nga nag-uros uros

Gugma nga mikapyot

Mikapyot sa liog

Mikapyot sa itlog

Itlog nga lanay

Itlog nga hamugaway

Hamugaway ang lantay

Hamugaway ang gabantay

Gabantay sa laagan

Gabantay sa adunahan

Adunahan nga gamhanan

Laagan pa sa sawayan

-- MARVI A. GIL 

Reykjavík, Iceland

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hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."