kabisdak: ars poetica de mi chica

3.19.2009

ars poetica de mi chica

atque in perpetuum, soror, ave atque vale

kon kutob ra ko
sa pagpangandam

nagduka na lang apan
ang lapis wa pa gihapon
modat-ol sa papel

nan pasagdi

ang labing nindot nga balak
mao kining way-
kinutoban kong
pagdamgo kanimo

unta way laing handuraw
nga mosanta
o motapos niini

-- VICENTE VIVENCIO BANDILLO

Dubai, United Arab Emirates

5 comments:

m.u.o. said...: Pahalipay alang sa ika-200 nga tampo sa labing banggiitan nga magbabalak sa Kabisdakan!; March 19, 2009 at 11:04 PM
rsb said...: apil kog pakpak...

sa ika dos cientos...; March 19, 2009 at 11:11 PM
alig-ig said...: Ha ha ha salamat kaninyo Myke ug Ric. Bisan tuod quantity doesn't mean quality, maayo ning padaghanay. Syarog dili makautin og nindot usahay!; March 20, 2009 at 5:31 AM
rsb said...: ha ha ha

kautin jud!

suko kandis ana...

ha ha ha

tagay na pod ta ani...; March 20, 2009 at 7:47 AM
juankusgan said...: walay kwality? waah saman ning akong mga gipangbuhat mora mag ginamos itapad sa imong inun-unan, inasal, kinilaw, sinugba ug uban pa! ijarak orang balakero! hurot akong bilib!; March 22, 2009 at 5:20 AM

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."