kabisdak: ang kampana sa tore

8.25.2010

ang kampana sa tore

Nganong masulob-on ang pagbagting sa kampana?
Ang iyang tim-os nga taginting mikuyanap
Sa lungsod gikan sa tore sa simbahan
Ngadto sa abohong mga atop nga nangluspad
Ilawom sa mansadong buwan
Sa pagtuyok sa ngipon sa plata nga orasan.

Tungod ba kaha sa kabugnaw sa yamog
Nga migakos sa puthaw?

Ang pana milahoy sa kangitngit.
Ang binaid nga tagming mitaop sa akong dughan
Pino nga kahait
Mobuswak ug kahigwaos,
Ang hardin sa mga rosas miawas sa alimyon
Sa matentalong kasubo, madanihong kasubo.

Ang lumotong ang-ang sa hagdan midawat
Sa tunob sa kampanero nga nanaog sa tore.

-- ESTER TAPIA
Kathmandu, Nepal

2 comments:

M said...: ester,

makatagbawng balaknindot.
Kamong tolo:Cora, Ester & Merlie
(CORESTMER) maoy literary triad
sa tadhang female poetesses sa natad sa Katitikang Bisaya.
Sa mga batan-ong sumusunod: GENI-GENA-GINA: Neile Genica-Mijares
Genalyn Omapas
Gina Mantua-Panes
-mananambalak; August 28, 2010 at 5:13 PM
M said...: akong i-add si JONA, akong katagilungsod.

JONA-GENI-GENA-GINA.

Sorry nga nalimtan tika, Jona.
Kining giango-ango nang nagyupyop
sa tinustos ug hapit na mahulog
ang hinulamang pustiso.

Nindot king balak ni Ester: Ang Kampana Sa Kampanaryo

-mananambalak; August 29, 2010 at 8:09 AM

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."