kabisdak: inig lurang sa huwaw

6.03.2011

inig lurang sa huwaw

Ikaw
Nga gaantaw nako
Dinhi sa tiilan
Sa imong anino
Nagpabiling habog.

Bisan ang mga tipaka
Sa mga nangapulpog mong
Mga damgo
Nagdumili sa pagkadugta.
Nakiglayog sa pagkadunot.

Sige, pasagdan ko ikaw.

Mahimong kanang
Nagngangang kahilom
Sa tunga-tunga natong duha
Molapos pa
Ngadto sa laing kalibotan,
Mokawot,
Mokutkot
Sa kahiladman
Ug lugpitan ang galamhan
Hangtod tukbon sa kalimot.

Sa gihapon
Pasagdan ko ikaw.

Kay bisan gani ang huwaw
Moabi-abi sa tinagsa-
Tagsang taligsik.
Kay ang huwaw
Mingawon sa mga hinuyop,
Mga awit sa ulan--
Mga yanong pinisik
Sa bul-og,
Haguros,
Alimpulos--
Mga pagtapion
Sa mga ngabil
Nga gawasnong
Makig-akob sa yuta,
Muhupay sa katig-a
Sa mamala unya

Kon molurang na
Ang huwaw.

-- GINA MANTUA-PANES
Cebu City, Philippines

2 comments:

M said...: nindot, Gina
molurang ang ulan
may kinutoban
ang hulaw sa pagpasagad
tali sa matam-is kahilom
sa nag-akob mga ngabil
sa mga nag-inusara.

-mananambalak; June 4, 2011 at 10:40 AM
ginamantua-panes said...: salamat nyor,
karon ra ko nakabasa.; July 31, 2011 at 2:45 AM

hagit sa handurawan

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."

-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."

matod nila, mando nato

"What could I say at all without my roots?... What could I say without coming to ground?... and I took no journey other than the return."
-- Pablo Neruda

"And the end of all our exploring will be to arrive where we started and know the place for the first time."
-- T.S. Eliot

"The work of language deserves our greatest care, for the tongue’s fire may devour the world, or may light the way."
-- Scott Russell Sanders

"Memory that yearns to join the centre, a limb remembering the body from which it has been severed, like those bamboo thighs of the god… The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island."
-- Derek Walcott

"We ascend, from the infinite pit of our perceptions, to the finite life of words."
-- William Bronk

salo-salmot

Ari mo! Ambi, atong tilawan ang imong tampo. Palihog ipadala lang ang tinagik nga balak ug sugilanon ngadto sa geemyko@gmail.com.

Kinahanglang bag-o pang haon ang mugna nga imong buot idalit. Ang tigpasiugda ug tigdumala (moderator) niining balayan gapanilap sa katungod nga mopili ug modumili sa tampo. Tugotan pod unta siya og higayon nga mosugyot pagdugang og asin kon matab-angan usahay, pasabwan kun paughan gamay imong hinukad. Mao'y tumong ining balayan ang mamugnaong paghalingay ug pagsaw-anay sa atong gidalit. Kon gibalibaran, palihog ayaw og tyabaw. Ayaw tawon pamaak. Lagmit wala lang mobukal ang lana sa tigdumala kabahin sa timailhan sa tinuod nga wakwak.

sa makausa pa

"Reimmersion (in native culture) is not an end in itself; it is to define more clearly the native grounds on which the Cebuano poet stands, the local parameters of language and experience, toward the end that he can stand in the world confident in the singular value of his own voice...

To conserve and extend the resources to which the Cebuano poet is heir by enhancing the natural rhythms of native speech, cultivating the rich concreteness of dialect, and confronting the particulars of his social experience...

The Cebuano poet today does not come upon a language that is already there, ready to use; he has to recreate it not only out of the rawness of daily speech but summon out of language that which has already fallen away from common consciousness and use."
-- Dr. Resil Mojares,
"Cebuano Poetry: Looking Backward, Forward."